Contributors
Rebecka Kann
Rebecka Kann is an art historian, writer, and independent researcher specialising in self-organized moving-image practices and international networks of solidarity through cinema. Kann recently graduated with an MA from the Courtauld Institute of Art. Recent publications include an article on the Hungarian artist Tibor Hajas’ performance Dark Flash (1978) in the Courtauld's postgraduate journal Immediations. Kann is currently editing a prospective book on new media and lens-based practices in Eastern Europe.
