Contributors

Kyle Barrowman

Kyle Barrowman is a media and cinema studies lecturer in Chicago. He received his PhD from Cardiff University. He has published widely in and between film studies and philosophy, on subjects ranging from authorship, genre theory, and camera movement to skepticism, perfectionism, and ordinary language philosophy. His work is available at the website linked below.

Articles by Kyle Barrowman

Alfred Hitchcock and the Moving Camera: Authorship, Style, and Declarative Aesthetics

Published in Volume 27, Issue 1-2 / February 2023
Signs and Meaning: Film Studies and the Legacy of Poststructuralism

Published in Volume 22, Issue 7 / July 2018
Action Aesthetics: Realism and Martial Arts Cinema, Part 1

Published in Volume 18, Issue 10 / October 2014
Action Aesthetics: Realism and Martial Arts Cinema, Part 2

Published in Volume 18, Issue 10 / October 2014
Blockbuster Ideology: Steven Seagal and the Legacy of Action Cinema – Part 1

Published in Volume 17, Issue 4 / April 2013
Blockbuster Ideology: Steven Seagal and the Legacy of Action Cinema – Part 2

Published in Volume 17, Issue 4 / April 2013
Bruce Lee: Authorship, Ideology, and Film Studies– Part 2

Published in Volume 16, Issue 6 / June 2012
Bruce Lee: Authorship, Ideology, and Film Studies– Part 1

Published in Volume 16, Issue 6 / June 2012
Collateral: A Case Study in Ethical Subjectivity

Published in Volume 15, Issue 9 / September 2011