Contributors
Jay Plaat

Jay Plaat received his BA in Cultural Studies and his MA in Creative Industries from Radboud University Nijmegen. His work focuses primarily on cinematic rhythm and autonomous cinematic space. He currently works as a creative copywriter in his native town Uden (the Netherlands), the greenest city of Europe.
Articles by
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The Orphan (aka, Friday the 13th: The Orphan) (John Ballard, 1979) & Ghostkeeper (James Makichuck, 1981)
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Orca (Michael Anderson, 1977)
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The Swimmer (Frank Perry, 1968) & The Best Damn Fiddler from Calabogie to Kaladar (Peter Pearson, 1968)
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Fantastic Planet (René Laloux, 1973) & Les Escargots (René Laloux, 1966)
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Western Union (Fritz Lang, 1941)
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Leeds International Film Festival 2021: the conundrum of how to end a film.
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LFF: 2021, A Festival Report
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Play Misty for Me (Clint Eastwood, 1971) Still Shocks and Mesmerizes 50 Years Later
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The Neutral, Onirosigns and Any-Body-Whatevers in Nostalghia
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Circles, Myth, and Darwinism: Stanley Kubrick’s 2001: A Space Odyssey and Peter Greenaway’s A Zed and Two Noughts (ZOO)