Contributors
Jay Plaat
Jay Plaat received his BA in Cultural Studies and his MA in Creative Industries from Radboud University Nijmegen. His work focuses primarily on cinematic rhythm and autonomous cinematic space. He currently works as a creative copywriter in his native town Uden (the Netherlands), the greenest city of Europe.
Articles by
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Alfred Hitchcock and the Moving Camera: Authorship, Style, and Declarative Aesthetics
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Sports Queen (1934): Li Lili, the Physical Fitness Propaganda Film, and the New Life Movement of the 1930s
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The Forestmaker: Reportage, Poetry, and Advocacy
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The Birds and the Mechanisms of Suspense
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The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part Two, Gone Girl
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The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part One, The Gothic Girls of Hollywood
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The Cineclub/Film Society 30th Anniversary Screening
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Unmaking Meaning: Motivation and Materiality in Danièle Huillet and Jean-Marie Straub’s Too Early/Too Late and Carl Theodor Dreyer’s Gertrud
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A Modest Meditation on Mexican Modernism: Alonso Ruizpalacios’s Güeros and Alejandro González Iñárritu’s The Revenant
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In Search of Complexity: America, India, and Pakistan in Mira Nair’s The Namesake and The Reluctant Fundamentalist
