Current Issue
Independent Canadian Cinema, New Romanian Cinema, Grassroots Cinema, The Impact of Class and Capitalism
This triple issue has many focus points, Canadian Independent Cinema, grassroots, and Romanian cinema.
In this issue
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Canadian Independent Cinema: Crawdaddy, Desire and Isolation
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Scarpedicemente: Canadian Indie Gangster Comedy With a Big Heart
Co-Directed by John Vamvas, Victoria Sanchez, 2024
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Clearcut (Canada, Ryszard Bugajski, 1991)
Folk Horror, Eco Horror, Landscape Film
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Modern Natives and Cultural Conflict and Exchange: Beans (2020) and The Business of Fancydancing (2002)
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Trainwrecks on the Mountain, Shipwrecks at Sea
Inside Llewyn Davis (Joel Coen, Ethan Coen, 2013)
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Kristoffer Borgli: The Director Who Turns Narcissism and Absurdity into Art
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Contemplations on the Artistic Mind at the 44th Istanbul Film Festival
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Staring at the Sun: Luminous Tragedies, Repertory Screenings, and Sentimental Stories at Cannes 2025
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Exile on Bloor St.: A Hot Docs 2025 Round-Up (April 24 to May 4, 2025 )
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Atlas Cinema and the Moving Image as an Experiment in Community Building
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Seeking Perspectives: From Romania to Hong Kong
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The Intermedial Passions of the “New” New Romanian Cinema
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On the Border of Collapse: Radu Jude’s Critique of Capitalism in Eight Postcards from Utopia
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Imagined Communities, Capitalism’s Periodic Crises, and the book Money, Power, and the People (2019); and films Hell or High Water (2016) / The Big Short (2015)
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Pistulya: An Assertion of the Deprived Groups
