Current Issue
Global Cinema Part 2 and Thoughts on Alfred Hitchcock
The first of this double issue is a continuation of last month’s special on Global Cinema, which is followed by a focus on Alfred Hitchcock.
In this issue
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The Forestmaker: Reportage, Poetry, and Advocacy
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In Search of Complexity: America, India, and Pakistan in Mira Nair’s The Namesake and The Reluctant Fundamentalist
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A Modest Meditation on Mexican Modernism: Alonso Ruizpalacios’s Güeros and Alejandro González Iñárritu’s The Revenant
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Unmaking Meaning: Motivation and Materiality in Danièle Huillet and Jean-Marie Straub’s Too Early/Too Late and Carl Theodor Dreyer’s Gertrud
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Sports Queen (1934): Li Lili, the Physical Fitness Propaganda Film, and the New Life Movement of the 1930s
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The Cineclub/Film Society 30th Anniversary Screening
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Alfred Hitchcock and the Moving Camera: Authorship, Style, and Declarative Aesthetics
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The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part One, The Gothic Girls of Hollywood
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The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part Two, Gone Girl
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The Birds and the Mechanisms of Suspense
