Contributors
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Nathaniel Carlson
Nathaniel Drake Carlson is an independent writer of both fiction and film criticism. His other pieces on Manoel de Oliveira have appeared in Cineaste and Pop Matters. His feature film work will be available soon via jaymcroy.com.
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Andre Caron
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Mark Carpenter
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Maria Casale
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Elie Castiel
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Sucheta Chakraborty
Sucheta studied film at the University of Edinburgh and is now a writer and editor based in Mumbai. Her writing on cinema, gender and popular culture has appeared in publications like MUBI Notebook, Senses of Cinema, CineVue, The Big Picture, The Hindu, Scroll.in, Firstpost, Helter Skelter Magazine, The Bangalore Review and Film Companion among others. She has also co-authored In the Life of a Film Festival: 20 Years of MAMI, a monograph on the Mumbai Film Festival, published by Harper Collins India in 2018.
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Daniel Charchuk
Daniel Charchuk is a film reviewer, freelance writer, and former student from Montréal, Canada. His interests include genre cinema, vulgar auteurism, science fiction, and creative writing of both the fictitious and non-fictitious variety. He is currently a film reviewer for the local e-zine Arts & Opinion, and contributor to other local publications.
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Leah A. Cheyne
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Michael Chorlian
Michael Chorlian received his Bachelor of Arts in English from UCLA where he also studied screenwriting post-grad. He currently serves as the Content Manager at SP Media Group, a production company based on the Paramount Pictures studio lot.
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Alain Chouinard
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Natalia Christofoletti Barrenha
Natalia Christofoletti Barrenha is a researcher of Latin-American cinema. She holds a doctoral degree in Multimedia from the Universidade Estadual de Campinas – UNICAMP (Brazil), and conducted postdoctoral research at the UNICAMP Institute of Language Studies, with a short period as Coimbra Group Visiting Fellow at Katholieke Universiteit Leuven – KU Leuven (Belgium). She is author of the books Espaços em conflito. Ensaios sobre a cidade no cinema argentino contemporâneo (2019) and A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina (2014, translated into Spanish in 2020). She also works as a film programmer and cultural manager. She is currently an NSP Visiting Researcher at Comenius University in Bratislava, with the support of the National Scholarship Programme of the Slovak Republic.
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David Church
David Church holds a Ph.D. in Communication and Culture from Indiana University, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (Edinburgh University Press, 2015). He has also edited Playing with Memories: Essays on Guy Maddin (University of Manitoba Press, 2009), and is currently at work on a book called Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema.
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Janina Ciezadlo
Janina Ciezadlo has published film and art criticism in The Chicago Reader, Newcity, Afterimage: The Journal of Media Arts and Cultural Criticism, The New Art Examiner and others. Scholarly essays on Jean-Pierre Melville, Livres d’artist and representations of cities have appeared in various journals. She has just finished a book, based on courses she taught at Columbia College, Chicago and the University of Illinois, Chicago on representation of cities in film, photography and art. She continues to exhibit her prints, photographs and watercolors. Thank you to George Christensen for recruiting me to TFF.
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Katharine Coldiron
Katharine Coldiron is the author of Ceremonials (2020) and a monograph on Plan 9 from Outer Space (2021). Her work on film has appeared in Bright Wall/Dark Room, ASAP/J, Vague Visages, Bitch, and elsewhere.
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Fred Collopy
Fred Collopy designed the first version of Imager – software for playing abstract visuals – for the Apple II computer in 1977. His work has been presented at ISEA, SIGGRAPH, Sonic Light, and the IEEE Symposium on Visual Languages and been published in Leonardo and elsewhere. He has performed visuals live with the jazz ensemble Kassaba, electronic musicians Dino Felipe and Henry Warwick, and others. He has been a visiting scientist at IBM’s Watson Research Lab and is on the faculty at Case Western Reserve University. An expanded version of this essay is located at his site, RhythmicLight.com.
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Pablo García Conde
Pablo García is a film programmer, film critic, history teacher and filmmaker. He has programmed films at Dart Festival in Barcelona; been a member of juries in international festivals from Russia, Armenia, Ecuador, Spain and Greece; and been a member of selection committees at International Festival of Films on Art (Canada), La Casa Cine Fest (Ecuador) and Golden Apricot IFF (Armenia). He is a member of Creative Armenia Network, the French Syndicate of Film Critics, the IAEC (which organizes the FEROZ awards in Spain) and the International Federation of Film Critics (FIPRESCI). He has codirected 2801, winner of the Salamanca Youth Awards (Spain) and selected in several film festivals. His second short film, The Photographer and His Shadow. A Portrait of Gagik Harutyunyan, has been granted by Creative Armenia and released at the 40th International Festival of Films on Art (FIFA).
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Zoe Constantinides
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Adam Cook
Adam Cook is currently enrolled in the Screen Cultures & Curatorial Studies PhD program at Queen’s University, holds an MA in Cinema & Media Studies from York University, and writes criticism for his Substack, Long Voyage Home.
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Lily Corne Klein
Lily Corne Klein is a graduate student in the Film Studies department at Concordia University’s Mel Hoppenheim School of Cinema. Lily holds a Bachelor of Arts Honours degree in Gender and Women’s Studies and Film Studies from The University of King’s College and Dalhousie University in Halifax, Nova Scotia.
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Lily Corne Klein
Lily Corne Klein is a graduate student in the Film Studies department at Concordia University’s Mel Hoppenheim School of Cinema. Lily holds a Bachelor of Arts Honours degree in Gender and Women’s Studies and Film Studies from The University of King’s College and Dalhousie University in Halifax, Nova Scotia.
