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Past Issues


Volume 17, Issue 2 (Oddball Auteurs)
February 2013
  • Mirroring History: Fassbinder’s The BRD Trilogy
    by Najmeh Khalili Mahani
  • Gena Rowlands and John Cassavetes: Equal Stars of A Woman Under the Influence
    by Jennifer Sin
  • Running the Lunatic Asylum: Tracing the Grotesque Body in Jan Svankmajer’s Lunacy (2005)
    by Rachel Webb Jekanowski
  • The Journey Itself is Home: John Akomfrah’s film meditation on immigration in Britain, The Nine Muses
    by Daniel Garrett
  • Evil Under the Sun: Ace in the Hole
    by Graham Daseler

Volume 17, Issue 1 (Festivals 2012)
January 2013
  • Broken Cameras: On the 2012 Boston Palestine Film Festival
    by Raphael Koenig
  • The 69th Venice International Film Festival: Women Emerge—or Do they?
    by Virginia Wright Wexman
  • American movies in Cannes 2012
    by Pierre Pageau
  • Skyfall: Bond and Modernity
    by Leon Saunders Calvert
  • Friendship, Ideas, Sex, and a New Movement: A Dangerous Method, directed by David Cronenberg
    by Daniel Garrett

Volume 16, Issue 11-12 (Film Comedy [Special Double Issue: November-December])
December 2012
  • Bergson’s Comic Theory and Jacques Tati’s Les vacances du Mr. Hulot
    by Donato Totaro
  • Two Minds on Comedy: Arthur Koestler vs. Henri Bergson
    by Donato Totaro
  • He Looked Into The Grim Reaper’s Eyes and Nervously Laughed
    by Jeffery Klassen
  • Mon Oncle: Tati, Bergson and Cinematic Comedy
    by David Addelman
  • An Analysis of Filmic Satire: the Modern and Vernacular in Jacques Tati’s Mon Oncle
    by Pascal Déry
  • Bad Lieutenant: Beyond Expectations
    by Sacha Orenstein
  • Now Playing in an America Near You: The National Threat of Sacha Baron Cohen
    by Stephen Rife
  • Hollywood Rom Com & British Comedy
    by Elaine Lennon
  • “Shtick’em up: Remembering the Three Stooges
    by Vito Adriaensens
  • Chopsocky Slapstick: Violence as Humorous Excess in the Kung-Fu Comedy
    by Michael Bloom

Volume 16, Issue 9-10 (Acting in the Cinema [Special Double Issue: September-October])
October 2012
  • A Dimension Beyond Characterization
    by Carole Zucker
  • An Attempt to Reconcile Everything: A Warm December, a film starring and directed by Sidney Poitier
    by Daniel Garrett
  • Disavowing Transgressive Pleasures: Christina Ricci, Stardom, and the Margins of the Horror Genre
    by Steffen Hantke
  • Peccadillo and Taboo in Piccadilly (1929)
    by Elaine Lennon
  • A Double Life: Bette Davis’ Twin Roles, Part 1: A Stolen Life
    by Elaine Lennon
  • A Double Life: Bette Davis’ Twin Roles, Part 2: Dead Ringers, or Whatever Happened to Bette Davis?
    by Elaine Lennon
  • The Role of Star Persona in Character Development in The Departed
    by Anna Pakkala
  • Herzog and Kinski: Taming the Madman
    by Jason Lindop
  • Diverging Directorial Styles & Performance
    by Donato Totaro
  • The New Candor in Male Friendship Films: Will Reiser’s screenplay 50/50, as directed by Jona
    by Daniel Garrett

Volume 16, Issue 8 (Tribute to Louis Goyette)
August 2012
  • Song as Pretext: Gilles Groulx’s Où êtes-vous donc?
    by Louis Goyette
  • Testimonies to Louis
    by Donato Totaro
  • Theatrical Elements in Mizoguchi’s Cinema
    by David Hanley
  • The Performatist, The Hand That Writes, Writes Me
    by David George Menard
  • Hollywood’s American Tragedies: Dreiser Eisenstein Sternberg Stevens
    by Elaine Lennon

Volume 16, Issue 7 (Politics, Social Analysis and Film)
July 2012
  • Light Comes Through a Hole in the World: Palestinian film director Elia Suleiman’s film The Time That Remains
    by Daniel Garrett
  • Luchino Visconti’s The Leopard and Those Who Are Not Rich in A Country of Arrangements
    by Daniel Garrett
  • Props, Things and Do the Right Thing
    by Donato Totaro
  • The Representation of Non-Violent Political Activism in Bloody Sunday and Omagh
    by David Hanley
  • The Evolution of “Third Cinema” in a Brazilian Context: from Santos to Bianchi
    by Zain Jamshaid

Volume 16, Issue 6 (Issues of Authorship)
June 2012
  • Bruce Lee: Authorship, Ideology, and Film Studies– Part 1
    by Kyle Barrowman
  • Bruce Lee: Authorship, Ideology, and Film Studies– Part 2
    by Kyle Barrowman
  • Garbo, Auteur…?
    by Elaine Lennon
  • Mann and his Discontents
    by Leon Saunders Calvert
  • Playing with Memories: Essays on Guy Maddin
    by Donato Totaro

Volume 16, Issue 5 (Fantasia 2011)
May 2012
  • Fantasia: Turning the Rear View Mirror
    by Randolph Jordan
  • “Unmasking” The Phantom of the Opera
    by Donato Totaro
  • Robin Hardy: A Chat with the wicker man
    by Donato Totaro
  • 18th Bradford International Film Festival
    by Philip Gillett
  • New Age goes big screen: Jonathan Livingston Seagull
    by Matthew Hays

Volume 16, Issue 4 (The Turin Horse & The European Art Film)
April 2012
  • The Turin Horse and the End of Civilization As We Know It
    by David Hanley
  • The Turin Horse: A Numbers Game
    by Donato Totaro
  • Melancholia, a speculative film on spirit and space by Lars von Trier
    by Daniel Garrett
  • Inquietude
    by Nathaniel Carlson
  • Nature and Grace, Image and Thought: Terrence Malick’s The Tree of Life
    by Daniel Garrett

Volume 16, Issue 3 (The Art of Science Fiction: Kubrick, Tarkovsky, and Spielberg)
March 2012
  • 2001: A Space Odyssey Uncovering the intelligence from what may appear to be an unintelligible text
    by Leon Saunders Calvert
  • Connection between Different Realities through Video Screens
    by Elena V. Rodina
  • A.I.: Artificial Intelligence (Steven Spielberg, 2001) as Intertextual, Reflexive Monster
    by Donato Totaro
  • History and Imagination: the book Steven Spielberg’s America by Frederick Wasser
    by Daniel Garrett
  • Horror in History: The film Schindler’s List by Steven Spielberg
    by Daniel Garrett

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