ISSN 1712-9559
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Keyword : Gus Van Sant


This piece centers upon a discussion with Hildegard Westerkamp about the use of her soundscape compositions in the films of Gus Van Sant.


A theoretical analysis of the value of Gus Van Sant's Psycho.


An “ecological” interpretation of Gus Van Sant's enigmatic Gerry.


With Gus Van Sant currently on the hard road back to relevance - the gnomic, impressive achievement that was Gerry (2002) having been so closely followed by his Cannes triumph with Elephant (2003) - the time may be ripe to revisit one of his most eccentric and reviled (and very nearly forgotten) projects, his 1998 near-shot-for-shot remake of Alfred Hitchcock’s Psycho.


Gus Van Sant's re-appropriation of Hitchcock's classic is given another (close) look.


Totaro gets the ball rolling on Gerry.


Rist discusses why he thinks Gerry signals a strong return to form for Van Sant.

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ISSN 1712-9559.