Keyword : Bela Tarr
An analysis of Bela Tarr's black and white, nearly dialogue-less The Turin Horse.
An analysis of Tarr's final masterpiece, The Turin Horse, which breaks down its structuring use of the numbers two and six.
A review which tries to capture the unique experience which is Béla Tarr’s Sátántangó.
Part two of Randolph Jordan's coverage of Montreal's FCMM Festival International Nouveau Cinéma et Nouveaux Médias.
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