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Keyword : Bela Tarr


An analysis of Bela Tarr's black and white, nearly dialogue-less The Turin Horse.


An analysis of Tarr's final masterpiece, The Turin Horse, which breaks down its structuring use of the numbers two and six.


A review which tries to capture the unique experience which is Béla Tarr’s Sátántangó.


Part two of Randolph Jordan's coverage of Montreal's FCMM Festival International Nouveau Cinéma et Nouveaux Médias.

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ISSN 1712-9559.