ISSN 1712-9559
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Keyword : Alain Resnais


A personal account of encountering the 'difficult' works of Alain Robbe-Grillet, and then the man himself.


A review of Criterion's wonderful transfer of the Alain Resnais film which helped usher in the 1960s modernist cinema.


Totaro explores how certain styles of filmmaking (montage vs. long take style) may be used to activate different cognitive states ('intellect' versus 'emotion').

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ISSN 1712-9559.