Contributors

Peter Wilshire

Peter Wilshire is a life-long film enthusiast. He has a Master of Arts by Research in Cinema Studies from La Trobe University in Melbourne, Australia. He currently teaches Screen Practices at Deakin University in Melbourne, Australia. He has also taught Cinema Studies at RMIT University in Melbourne, Australia. In addition, he has contributed articles for Film International, the Australian quarterly film journals Metro and Screen Education, as well as the online film journal Senses of Cinema.

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Articles by Peter Wilshire

A Character Study of Alienation and Loneliness: Blast of Silence (Allen Baron, 1961)

Published in Volume 18, Issue 10 / October 2014
The Representation of Trauma and Memory in The Pawnbroker (Sidney Lumet, 1965)

Published in Volume 23 Issue 9-10 / October 2019
A Harrowing Exploration of War and the Meaning of Human Existence: The Ascent (Voskhozhdeniye, Larisa Shepitko, 1977)

Published in Volume 20, Issue 3 / March 2016
The Art Of Dying: Point Blank (John Boorman, 1967)

Published in Volume 17, Issue 4 / April 2013
A Left-Handed Form of Human Endeavour: Narrative Comparisons & Contrasts Between the Noir Heist Films The Asphalt Jungle and The Killing

Published in Volume 11, Issue 10 / October 2007
Dead in the Water? Dream and Reality in Carnival of Souls

Published in Volume 11, Issue 4 / April 2007

Peter Wilshire

Articles by Peter Wilshire

A Character Study of Alienation and Loneliness: Blast of Silence (Allen Baron, 1961)

The Representation of Trauma and Memory in The Pawnbroker (Sidney Lumet, 1965)

A Harrowing Exploration of War and the Meaning of Human Existence: The Ascent (Voskhozhdeniye, Larisa Shepitko, 1977)

The Art Of Dying: Point Blank (John Boorman, 1967)

A Left-Handed Form of Human Endeavour: Narrative Comparisons & Contrasts Between the Noir Heist Films The Asphalt Jungle and The Killing

Dead in the Water? Dream and Reality in Carnival of Souls