Contributors

  • Andre Caron

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  • Mark Carpenter

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  • Maria Casale

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  • Elie Castiel

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  • Daniel Charchuk

    Daniel Charchuk is a film reviewer, freelance writer, and former student from Montréal, Canada. His interests include genre cinema, vulgar auteurism, science fiction, and creative writing of both the fictitious and non-fictitious variety. He is currently a film reviewer for the local e-zine Arts & Opinion, and contributor to other local publications.

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  • Leah A. Cheyne

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  • Alain Chouinard

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  • David Church

    David Church holds a Ph.D. in Communication and Culture from Indiana University, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (Edinburgh University Press, 2015). He has also edited Playing with Memories: Essays on Guy Maddin (University of Manitoba Press, 2009), and is currently at work on a book called Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema.

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  • Fred Collopy

    Fred Collopy designed the first version of Imager – software for playing abstract visuals – for the Apple II computer in 1977. His work has been presented at ISEA, SIGGRAPH, Sonic Light, and the IEEE Symposium on Visual Languages and been published in Leonardo and elsewhere. He has performed visuals live with the jazz ensemble Kassaba, electronic musicians Dino Felipe and Henry Warwick, and others. He has been a visiting scientist at IBM’s Watson Research Lab and is on the faculty at Case Western Reserve University. An expanded version of this essay is located at his site, RhythmicLight.com.

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  • Zoe Constantinides

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  • Paul Corupe

    Paul Corupe is a Toronto-based writer and editor, and the creator of Canadian film website Canuxploitation!

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  • Michael Crochetière

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  • Roberto Curti

    Roberto Curti

    Roberto Curti (Parma, Italy) is a free lance writer for several Italian and foreign magazines. He’s a regular contributor to Nocturno and has collaborated, among others, to the Spanish mag Quatermass. In 2003 he co-wrote (with Tommaso La Selva) Sex and Violence, a volume on extreme cinema, which is in its second edition, 2007, and in 2004 a Spanish-published monography on James Coburn, El samurai del oeste (The Samurai of the West). He is also the author of Italia odia (Italy Hates, 2006), an in-depth history of Italian crime and noir films, and Stanley Kubrick: Rapina a mano armata (Stanley Kubrick: The Killing, 2007), an in-depth analysis of Kubrick’s The Killing, Demoni e dei, a book on the devil and god in American horror cinema, and Fantasmi D’Amore, a book on the Italian gothic across cinema, literature and television.

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  • Pascal D

    Pascal Déry is a BFA (2009 – with Distinction) at Concordia University, with a Major in Film Studies. Formerly a talk radio personality on XM Satellite Radio, Pascal currently performs podcasting and teaches martial arts at his own karate school in Longueuil, Qc (South shore of Montréal). Mr. Déry also strongly believes that being a Decepticon is cooler than being an Autobot.

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  • Antonio D’Alfonso

    Antonio D’Alfonso

    Poet, novelist, essayist, translator, Antonio D’Alfonso has published more than 40 book titles and has directed three feature films. He is the founder of Guernica Editions which he kept alive for thirty-three years before passing it on in 2010. He is also co-founder of the magazine Vice Versa and the Association of Italian-Canadian Writers. For his writing D’Alfonso has won the Trillium Award, the Bressani Award, and other prizes; and for his film Bruco (2005), he won two awards at the New York International Independent Film and Video Festival.

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  • Graham Daseler

    Graham Daseler

    Graham Daseler is a graduate of the University of California, Santa Cruz, with a degree in Film and Digital Media. He currently resides in Los Angeles, and works in the film industry as an editor and animator. His writing has previously published in Senses of Cinema, Bight Lights Film Journal, Film International, 34th Parallel Magazine, and Moving Arts Film Journal.

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  • Pierre-Alexandre Despatis

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  • Ryan Diduck

    Ryan Diduck began his studies at the University of Alberta in Film and Media Studies and Sociology in 2002. In 2006, he graduated Magna Cum Laude from Film Production at the Mel Hoppenheim School of Cinema at Concordia, and is continuing as an M.A. candidate in Film Studies. Ryan has won numerous awards and scholarships, has written extensively for Offscreen, and his work shall be included in an upcoming Canadian media text published by Thomson Learning. Ryan’s research areas include independent American, European and Canadian cinemas, Gangster and Film Noir, and new directions in media culture of the 21st Century.”

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  • Roberto Donati

    Roberto Donati (from Arezzo, Italy) graduated in Modern Literature and Film Studies from the University of Siena in Italy, and also studied in the UK (The University of Warwick). Donati’s first publication was a book on the theme of nostalgia in the films of Sergio Leone (Sergio Leone. America e nostalgia, Falsopiano 2005), and he is in the process of writing his second book (on Douglas Sirk). As a professional journalist, he has written for publishing houses, newspapers, journals, and magazines on culture, film and literary topics. Donati has worked in the film industry in Los Angeles and is developing screenplays and documentary projects for television and cinema. As Demon #2, he greatly enjoyed slaughtering Coralina Cataldi-Tassoni in Dario Argento’s The Third Mother. He is a freaky blogger.

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  • Ben Dooley

    Ben Dooley has a First Class Degree in Film and Literature from the University of Essex and is currently taking a Masters in Film and Visual Media at Birkbeck, University of London. His undergraduate dissertation was on Jim Jarmusch. He also has specific interest in the auteurs of ‘Golden Age’ Hollywood: John Ford, Nicholas Ray, Douglas Sirk, Fritz Lang and Alfred Hitchcock, as well as the films of Rainer Werner Fassbinder.

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